Articles
Television: A New Weapon for the New Imperialist War from The Daily Worker, June 14, 1930. Reprinted in Jump Cut, a Review of Contemporary Media.
A Souvenir of Brody's New York meeting with Sergei Eisenstein
The "Censored" Mother Goose Rhymes
Dziga Vertov on Film Technique translated by S. Brody from the January 28, 1935 issue of Film Front. Soviet filmmaker Dziga Vertov's theory of the "Kino-Eye", a ground-breaking approach to documentary montage. Working from the French, Brody was the first to translate Vertov's writing into English. Take a little time to watch Vertov's remarkable film Chelovek s Kinoapparatom (Man With a Movie Camera).
On the Theory of Sources from Experimental Cinema, Vol. 1, No. 3, early 1931. Reprinted in Jump Cut, a Review of Contemporary Media.
Paris Hears Eisenstein from the British film journal Close Up, April 1931. Reprinted in Jump Cut, a Review of Contemporary Media.
The Revolutionary Film: Problems of Form from New Theater, February 1934. Reprinted in Jump Cut, a Review of Contemporary Media.
How to Strike Effective Blow At Hollywood Anti-Labor Films from The Daily Worker, July 15, 1935.
Two of Sam Brody's From Up in the Gallery by Lens film reviews in Film Front, 1935.